NGC 5053 (2019)

NGC 5053Click image for full size version

February 9, 2019

This image captures globular cluster NGC 5053.  It tends to be ignored by imagers and observers alike, including me until about 2015, because of its surroundings: NGC 5053 lies near a much brighter, richer cluster, M53, and there are some interesting galaxies in the area too.  NGC 5053 contains only a few thousand stars, so lacks the dense central condensation of stars seen in most globular clusters, which can contain hundreds of thousands of stars.  It belongs to Class 11 of the Shapley–Sawyer Concentration Class for describing globular clusters, where Class 12 is the most sparse.   In the eyepiece it looks to me more like an open cluster, but in an image it has the mix of red and blue stars that I see in most globular clusters, and seldom in open clusters.  This cluster is about  1/3 the width of the full Moon.  Given that it lies 53,500 light years from us, that makes it about 160 light years across.  There are quite a few small galaxies scattered throughout the image — look for soft and/or oval “stars” and short spindle-like streaks.

A previous version of this image can be found here. The new version shows more stars, a brighter background and more natural-looking star colours.

Tekkies:
SBIG STL-11000M camera, Baader RGB filters, 10″ f/6.8 ASA astrograph, Paramount MX.  Guided with STL-11000’s external guider and 80 mm f/6 Stellar-Vue refractor.  Acquisition and guiding with Maxim-DL.  Focusing with FocusMax.  Automation with CCDCommander.  Calibration, cosmetic correction, registration, integration and all processing in PixInsight.  Acquired May 6-17, 2015, from my SkyShed in Guelph, Ontario.  No moon, good to very good transparency and average seeing throughout acquisition.

14x10m R, 9x10m G and 13x10m B unbinned frames (total=6hr).

Image scale is about 1.1 arcsec per pixel for this camera / telescope combination.

Data Reduction and Cleanup
StarAlignment was used to align all calibrated, cosmetically-corrected frames. ImageIntegration was used to make the R, G and B masters. DynamicCrop was used to crop all the masters identically. DynamicBackgroundExtraction was applied to each master twice, first with Division and then with Subtraction.

RGB
Creation and cleanup:  The R, G and B masters were combined with ChannelCombination to make an RGB image which was processed with PhotometricColorCalibration.

Linear Noise Reduction:  MultiscaleLinearTransform was used to reduce noise in the RGB image. Layer settings for threshold and strength: Layer 1: 4.0 0.9   Layer 2: 3, 0.75  Layer 3: 2., 0.6  Layer 4: 1.0, 0.2.

Stretching: HistogramTransformation was applied to make a pleasing, bright image. 

Luminance
Creation and cleanup of SynthL: The cropped and background-corrected R, G and B masters were combined using ImageIntegration (average, additive with scaling, noise evaluation, iterative K-sigma / biweight midvariance, no pixel rejection).

Deconvolution:  A star mask was made to use as a Local Deringing Support Image. A copy of the image was stretched to use as a deconvolution mask. Deconvolution was applied (80 iterations, regularized Richardson-Lucy, external PSF made using the PSFImage script; Global dark deringing = 0.03).

Linear Noise Reduction:  MultiscaleLinearTransform was used to reduce noise in the background areas, using an internal mask to protect bright structures. Layer settings for threshold and strength: Layer 1: 3.0 0.8   Layer 2: 2.5, 0.7  Layer 3: 2, 0.45  Layer 4: 1.0, 0.1.

Stretching:  HistogramTransformation was applied to make a pleasing, bright image. 

Combining SynthL and RGB
SynthLRGB: The SynthL was applied to the RGB image using LRGBCombine.

Additional Processing
Nonlinear Noise Reduction: SCNR was applied with a strength of 0.53. TGVDenoise was applied in L*a*b* mode to reduce noise in the background.

Sharpening: MultiscaleLinearTransform was used to sharpen Layers 2 and 3 with strengths of 0.15 and 0.11, respectively. A mask was used to select only the core of the globular clusterfor sharpening.

Final Steps: Brightness, contrast and saturation were adjusted in several iterations using CurvesTransformation with various masks as required. Background, cluster and non-cluster stars were adjusted separately.